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Our Child of Two Worlds completes the story begun in my much-praised debut, Our Child of the Stars. It will be published in the UK on Thursday 31 March 2022, in hardback, eBook and audiobook. Please preorder it to avoid disappointment.
I am going to be busy promoting the book and talking about various aspects of it.
No spoilers here
Small-town USA, entering the Seventies. A childless couple Gene and Molly adopt a strange, wounded child of the stars they call Cory. Molly is the main narrative voice – a passionate nurse fighting for her own extraordinary child. Cory is gentle, vibrant, excitable, endlessly curious and loving – and come from yet his otherworldly origins. bring both joy and danger
In Our Child of Two Worlds a figure from the past brings uncomfortable truths and Gene and Molly face the terrifying loss of everything they took for granted. A divided Earth is under threat – humanity needs Cory’s people to return to save the Earth – but if his people take him back, it will break Molly’s heart.
My writing offers hope, optimism, and a taste of humour, but still facing up to the dark and difficult side of life. I think books can create worlds a bit different from ours, and still be truthful, providing the characters feel real. It was fantastic how well the books landed with readers of all genres. I hope I make people think, but it’s always a good story, not a sermon.
It’s not about the pandemic, at least not directly.
Here’s a few thoughts to whet your appetite.
The stakes are higher than before – for the characters and the Earth. Gene, Molly, Cory and baby Fleur face hatred, danger, and separation. I liked my agent’s summary of the first book
…a big Hollywood canvas and an intense family focus, emotionally devastating, funny and charming all at once’
So to reassure you, the big picture stuff is seen through the family’s eyes.
I bring in three memorable new characters I’m very proud of to make life even more complicated.
It’s an end of the world novel in several respects. It was an era with a real threat of nuclear war and a growing understanding of how humanity could destroy the environment.
Add to that, there are malign forces in space which could destroy a squabbling Earth. At that time the superpowers were edging towards more normal relations – the President whose career was built on fighting communism is about to visit China. Is there enough sense of common humanity (or love for nature) to unite?
As ever, it asks what we owe each other in this life. As ever, how people disagree makes the world what it is.
Please spread the word
Above Pop, the burning bowl of the cloudless sky, in every direction parched earth and dusty trees, and rocks striped with colour long before there were men. The old man looked at the empty road, from the empty diner, believing he was alone.
The Hidden Words is an arts project to show short pieces of writing at the Blue House Yard, Station Rd, Haringey. The opening of my story “The Art of Mending with Gold” is one of the pieces chosen. It is one of my favourites – I love the short story form, which allows free reign on themes and ideas, and imposes its own specific disciplines.
How long should a story be? Specifically, what makes something a short story and what makes it a novel?
A good short story gets into the situation, does its work, and gets out again. It has more in common with songs and poems (of typical length) than novels do. And very long stories told in poetry have more in common with novels. Some short stories work at 1000 words, and some at 5000.
“The Art of Mending with Gold” is 1700 words. A stranger comes to an isolated diner in the US desert west, with extraordinary consequences. The story has a beginning, a development, an end. It has three characters, and the action is concluded in one day.
The first answer to how long is intuitive. If everything seems to work, why make it longer?
Pop and Fernanda, and the stranger, are real people, and one could write their lives up to the point of the story. But I feel we know enough about them to understand what happens that day and to care.
The story ends how it does because (in my view) we don’t need to see anything more to understand emotionally what has happened, and we have space to imagine the wonder of how things are now and how tey will be. Any more explanation feels unnecessary, assuming it is even possible.
Of course, everyone’s reaction can be different.
My novel Our Child of the Stars started as a short story, which showed the family preparing for Halloween, and then their peace is disrupted. The conclusion showed the dilemma of their life together.
The short answer as to why it became a novel was that so much remained to be told. I wanted to show the sadness in Molly and Gene’s marriage, how Cory came, and why they were so convinced that they had to keep him a secret. The short story showed a crisis unresolved. Was that day or something else going to bring more danger?
Showing that meant starting earlier – either to when Cory came, or as I decided, even earlier to show both joy and disaster in their marriage. Then, after that Halloween, if more danger comes, how do they prepare, what do they do? Where does it end? A novel is an exercise in obsession, thinking beyond what you need to write, understanding your characters in depth.
Once I knew Cory could not fit into one novel, it was soon apparent that it needed to be two. The first one works as a single book but left big questions unanswered. Readers would tolerate one key question gets some answer by the end of the second book. That’s where Our Child of Two Worlds comes from.
Sometimes a story could be longer and you still don’t. You may love a short story with novel potential, and choose not to grow it into a novel. I have an 11000 word story where someone discovers the truth about their horrible society. The elite will clearly not give up power without a struggle and there would be love, honour, struggle, sacrifice and perhaps redemption. My protagonist would be a player within that struggle. No shortage of material. Yet I had said what I wanted to say, what interested me was in the story already.
As ever comments below! Or drop me a line.
Our hero cheerily finishes a book – anxieties of the second book – September and new starts – a new work in progress***
So! Yesterday I edited a sentence – not a great sentence of itself, a brisk conveyer of information. Not important like the first sentence or the last. It was the last outstanding sentence to edit of Our Child of Two Worlds. The long awaited sequel to Our Child of the Stars and the conclusion of the duology.
We are now at the proof stage. There’s a lovely jolt coming soon – and I am looking forward to it – because when proofs come it is laid out as a book.
On current plans, publication is six months away. I am proud and excited, and frustrated that it will be some months before you have a change to read it. Of course, I’m a bit nervous too. Any writer is nervous what the readers might think – but those who have read drafts seem suitably bewitched.
I know nothing I could write can interest you as much as a copy of the book to read!
I promised newsletter subscribers
-a free Cory short story which is the wonderful opening of the first draft of Our Child of Two Worlds. It’s perfect but the book now starts in a different place
-a chance to talk about helping/being involved in the launch
-and the opening of the conversation about whether we should write about the pandemic.
Publishing is generally dissuading writers unless they have front line experience. The 1918 flu was as deadly as the war and was largely ignored by literature. For me, I think all human life was there, but its not the idea most obsessing me at present.
*** The work in progress is Victorian and it is affecting me
Do subscribe to my newsletter, ask questions via the contact form, and if you want to help with the launch get in touch.
I’ve just sent out an email newsletter with an update on the book progress, news about the launch date, and new short story set during the time of Our Child of the Stars but in the USSR.
This is the first of a number of short stories I’ll be sharing in the run up to the publication of Our Child of Two Worlds. You might like to subscribe, you can never guarantee seeing any post on social media! And I don’t write unless there is something new to say.
This small classic book was published in 1934 and is bang up to date. That is, if you don’t mind that the piece of tech she recommends is a typewriter (as opposed to longhand).
Brande directs you to other works to study the structure of plot, how to write grammatically, and so forth. What she teaches is how to understand the creative process and she recommends disciplines to help you be more creative and productive to order. She argues that the process of writing combines the anarchic creative free flow that is in part coming from the unconscious, and a more rigorous detached intellectual self. Both need to be firing on all cylinders but not necessarily the same amount at the same time. Exercises include writing on first rising, and writing at a fixed time, as a discipline to generate initial pages, without undue concern about quality.
If you like, the metaphor of write drunk and edit sober, or the adage to write the first draft as if no one is watching.
I can’t claim to have followed her method, but in so far as I understand my own process, it seems sound enough. Interesting that many other writing books don’t touch on this.
Brande has plenty of bugbears. She doesn’t like group discussion of student work, as unfocused and prone to pile-ons – though she doesn’t call them that. What listening to public criticism of your work does is teach you to receive feedback and learn how to be selective in what you act on. Some is just wrong.
The book is short, practical, and focused on areas which many other books skip over. Indeed, Brande would argue by doing so, they are actively unhelpful.
Suanne is an American author who runs a regular author interview slot on her blog. It was fun to do. We covered a lot including message fiction, whether SFF has to be political, and what makes a good book.
Regardless of genre, what are the elements that you think make a great novel? Do you consciously ensure all of these are in place?
SC: Characters that leap off the page and that you care about, situations that do not feel contrived. For me a world which acknowledges the dark and unfair side of life but addresses it with hope and humour. Voice. The sort of writing that takes you by the hand and says, Trust me, this will make sense in the end. This will be worth the journey.
I am discussing what makes us human on Zoom with another writer, full details here.
It is pay what you like. book to get the Zoom details, and I hope you will come.
If you hurry you can also see the top secret cover of Our Child of Two Worlds which they have used by mistake… and which will probably be replaced very soon…
Odd how a virus can change things. I’ve been tied up fighting it, biologically, and at work. And I’m waiting for the feedback on the latest draft of OUR CHILD OF TWO WORLDS.
EdgeLit in Derby has moved its event to November, so that still may be happening.
Cymera (more here) is going online and I’ve just filled in a long questionaire about what I can do online. (No juggling on a unicycle, I’m afraid.)
I’ve just done an interview for an author’s blog and there might be a couple of other things. But really it’s about staying well, keeping up with the day job, and waiting for the notes…
And my writers group has gone online, using Zoom. I’m looking at trying to do some videos or Q+As because launching in the US in a pandemic obviously hasn’t been ideal.
More when I have it.
Read my fiction at Curious Fictions
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Scotland has hosted the big science fiction and fantasy conventions including I believe a Worldcon. However it did not have a (big) annual convention of its own. Cymera which is relatively new tackles that.
And I’m going, to do a panel on ‘what makes us human’. I’ll be on the Sunday 2.45 7th June with Adrian J Walker, an Australian author new to me and whose intriguing book I have ordered, naturally.
The whole programme and how to get tickets (weekend passes look good value) can be found in their website.
This is wonderful to be asked, an excuse to visit Edinburgh, and I’ll post more thoughts as I have them.
And of course, quite a big likelihood it won’t happen because of The Virus. Certainly events are being cancelled all over the country and in the US.
I am strongly tempted to do something online with Adrian if not.
I am also at Edgelit in Derby, a friendly convention which I enjoyed last year, 11-12th July. Put in your diaries. It’s top secret but be naughty and tell your friends.
Nothing makes you a real writer except writing, but this certainly good to be asked.
Since the invite I have been thinking often of the great Alistair Gray and his ringing statement, “Work as if you live in the early days of a better nation.” Words for England too.